If Memory Serves: Photography, Recollections and Vision
Dec
16
to Feb 24

If Memory Serves: Photography, Recollections and Vision

Brand Library & Art Center, Glendale Library, Arts & Culture, and the Los Angeles Center of Photography (LACP) presented “If Memory Serves: Photography, Recollections and Vision." Curated by LACP Executive Director Rotem Rozental, Ph.D., “If Memory Serves” featured artworks by Aurora Wilder Collective (Jennifer Pritchard in collaboration with Patrick Corrigan and DALL-E), Elizabeth Bailey, Annette LeMay Burke, Dena Elisabeth Eber, Sarah Hadley, Diane Hemingway, Rohina Hoffman, Susan Lapides, Annie Omens, Lori Ordover, Rosalie Rosenthal, Safi Alia Shabaik, and Aline Smithson.

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Jenny Yurshansky, A Legacy of Loss: There Were No Roses There
May
12
3:00 PM15:00

Jenny Yurshansky, A Legacy of Loss: There Were No Roses There

This exhibition explores family migration and the inherited trauma of exile in a series of new site-specific works.

Deborah Vankin in conversation with Jenny Yurshansky, LA Times

LA Times also selected the exhibition as top pick of exhibitions to view in SoCal during April 2022

Born stateless in Rome while her parents were fleeing Soviet-era Moldova, Yurshansky draws on her personal experience to examine the aftermath of immigration and inherited trauma – specifically, what is lost from the place of expulsion and how adopted homelands accept and respond to outsiders. Inspired by journeys back to Moldova, encounters with family artifacts gathered hastily before leaving, and reflections on the twists and turns of family lives, the exhibit invites viewers to explore their own collective and individual journeys.

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Virtual Exhibition: The Orientalist, Eitan Buganim at Brandeis University
Apr
25
to Sep 1

Virtual Exhibition: The Orientalist, Eitan Buganim at Brandeis University

Join the virtual opening on April 25, 2022, 9am PST / 12pm PST, 7pm Israel. Register here.

Conflating desires, miracles, magic and impending catastrophes, this multichannel video installation is composed of four short videos in full synchronization, arranged at exactly the same rate, with each crop, angle change, or dramatic action happening simultaneously. The soundtrack for each video is a popular “Oriental” Israeli song from the 1980s and 1990s, before this music genre broke into the mainstream.

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Waiting Room: Virtual Group Exhibition
Feb
1
to May 24

Waiting Room: Virtual Group Exhibition

This exhibition asks to embrace the uncertainties of this moment, and proposes to dwell in the uneasiness of not knowing what will come next. In this waiting room, we can choose to seize the opportunity to re-define how do we share a space, re-create our communication, connections, our daily rituals and our engagement with the world.

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Blacklisted, A Planted Allegory: Audio Guide by Jenny Yurshansky
Jun
17
to Nov 30

Blacklisted, A Planted Allegory: Audio Guide by Jenny Yurshansky

This project emerged from a moment of complete standstill, in which we all became sheltered in place, witnesses to extreme conditions that upended life as we know it. This immersive guide consists of narrated stories of plants found outside your window, although they were categorized as invasive and included in California’s “blacklist.” The guide began with plants found at AJU’s campus, and we hope you will bring it into your world: your yard, sidewalk, your favorite park. Take it with you. Locate these plants. Listen to their stories, see what they tell you about the world around you, about yourself. 

Nationwide “blacklists” of plants differentiate “natives” and “non-natives.” The “non-natives” are outlined as competitors with other plants, as a source of negative economic impact, or simply as un-aesthetically pleasing. This guide identifies them and gives voice to their potential testimonies to the human experience. 

This is the first of a two-part project by artist Jenny Yurshansky, which offers viewpoints of immigration, belonging and otherness, as these are weaved into botanical landscapes that reflect people and history. 

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Hearing: Michal Heiman
Jan
5
to Apr 7

Hearing: Michal Heiman

Of the most influential artists working in Israel today, Michal Heiman’s work navigates the worlds of photography, archival practice, critical theory, psychoanalysis, diagnosis, gender and performance. Heiman invites the audience to take part in her performative vocabularies and research-based pursuits.

In this exhibition, her first solo show in the west coast, she will continue to excavate the histories of discarded, forgotten women that have been trapped in asylums, inviting the audiences to insert themselves into these untold histories.

Heiman will be in residence at the celebrated 18th Street Arts Center in Santa Monica, where she will develop the exhibition and work on site.

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Emotional Labor
Nov
18
1:30 PM13:30

Emotional Labor

This group exhibition reflects the nuanced, conflicted relationships between what appears on the surface, social expectations and disappointment, and what is forcefully concealed.

The term Emotional Labor was coined by Berkeley sociologist Arlie Hochschild in 1983, referring to the work being done to control one’s emotions, as required by certain professions. Hochschild described a phenomenon that impacts relations of labor, considering service industries in which workers are required to demonstrate different emotions than what they are experiencing. A canonical example is flight attendants, who are required to smile and remain friendly and calm even when facing stressful situations.

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Christy Roberts Berkowitz: The Distance Between the Grooves in my Fingerprint
Jul
1
8:00 PM20:00

Christy Roberts Berkowitz: The Distance Between the Grooves in my Fingerprint

The new video, installation, mixed-media, and text works in this show examine the diverging and overlapping cultural landscapes of fact and fiction and communal and individual narratives through reference to the artist’s dual colonial Mayflower and Russian-Jewish refugee heritage.

The exhibition addresses the immediate legacy of inherited family violence and trauma through the prism of broader systems of power and control. The physical threats experienced by Roberts Berkowitz at the hands of her father are scrutinized with reference to the colonial projects of their shared Mayflower ancestors and the structural racism and capitalist institutions that are sustained by this historical narrative. In a new video work the artist turns her attention to  questions of complicity and solidarity, examining the role played by her mother, the descendent of socialist, Jewish, radical refugees, in upholding  structures of patriarchy and inherited power while serving as one of Southern California’s first female police captains.

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Moments of Waking Up: Avital Burg and Esther Schneider
Jan
6
1:00 PM13:00

Moments of Waking Up: Avital Burg and Esther Schneider

Inspired by Renaissance era myths and Jewish mysticism, Moments of Waking Up is the meeting point between two texts that serve as a powerful metaphors for the creative process. The first, an excerpt from the 12th century Kabbalistic text, Sefer ha-Bahir, speaks of a King who when building his palace on a rocky cliff discovers a fresh spring in the bedrock. He uses this living water to craft nature and plant a beautiful garden in which he and others can continue to delight. The second, the Dream of Poliphilus, is a 15th Century Venetian tale in which the titular character, in pursuit of his love, finds himself lost in an uncertain, fantastical dreamscape.

The exhibition culminates Burg and Schneider’s shared exploration of these texts, narratives in which space remains in flux, ungraspable and undetermined, and where questions regarding personal and communal traditions and rituals might surface.

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Broken Cisterns
Aug
26
to Nov 12

Broken Cisterns

CURATORS: ROTEM ROZENTAL AND LEAH ABIR

Broken Cisterns is the first US solo show by Eliyahu Fatal (Eli Petel), one of the most significant artists working in Israel today. It reflects the artist’s incessant and complex interest in Jewish identity inside and outside of Israel, while exploring Judaism as a religion, an ethnicity, a culture, a nationality, an aesthetic, a doctrine, a language, and an ethical code. The works directly confront both spirituality and religion, as well as the social and personal questions that have to do with inclusion in a spiritual world.

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THIS IS NOT HALFWAY
May
3
to Jul 1

THIS IS NOT HALFWAY

This is Not Halfway begins in the transmutation of conditions of vision and experience that define local living in LA: in the eclectic sprawling architecture, the never-ending horizon line of mountains and deserts revealed in the unseen edges of the highway, diverse communal lives, endless congestions, and exceptional cultural richness. Observing works by emerging Israeli artists, this exhibition delves into the junctures of personal and national identities, and their fluctuating transformations. Specifically, it examines the impact of Los Angeles on the viewpoint of alien artists that have made it their home. Suggesting the urban landscape is a central protagonist of the artistic action, this exhibition traces the city in the work, and the work within the city.

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LAUNCH SITES LA: EZRA ORION REVISITED
Nov
19
to Feb 5

LAUNCH SITES LA: EZRA ORION REVISITED

EZRA ORION, DAN LEVENSON | CURATORS: UDI EDELMAN, ROTEM ROZENTAL

Co-presented with the Israeli Center for Digital Art, the Platt and Borstein Galleries at AJU will become a temporary home for selected parts of Orion’s archive, including drawings and photographs that document past projects, plans, diagrams and correspondence. A VR station positioned in the space will take visitors on a tour of Orion’s sculptural installations in the desert.

At AJU’s Brandeis-Bardin Campus (Simi Valley), artist Dan Levenson presents a site specific project at the House of the Book, a hidden architectural masterstroke that bears intriguing similarities with Orion’s visual perspective.

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UNBOUND RECOLLECTIONS
Aug
24
to Oct 25

UNBOUND RECOLLECTIONS

Hagar Cygler and Yair Agmon share an interest in the material presence of photography, and its intricate relationships with memory. Seen together, their work juxtapose different, relevant and thought-provoking understandings of the role photography plays in the shaping of communal and private histories, and the impact of such narrative over institutional frameworks and familial existence.

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Liverpool Biennial: Curator-Mentor, Associate Artists Program
Jul
7
to Jul 7

Liverpool Biennial: Curator-Mentor, Associate Artists Program

The Liverpool Biennial Associate Artists Programme is a three-year partnership led by the Biennial with ICI and CACTUS gallery in Liverpool. The program offers 10 artists based in the North of England an international framework for artistic development and support.

As part of this three-year partnership (2016-18), each Associate Artist is paired with a curator selected from ICI’s network of Curatorial Intensive alumni, who will serve as mentors. This will provide the artists with an opportunity to develop their practice, gain an insight into the dynamics of the art world, and develop international networks.

Read more here.

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Outlet, Part I
Sep
19
to Oct 8

Outlet, Part I

 

Co-created with Roy Regev, this archival project traces the lives and transformation of the Israeli trade centers, neighborhood based shopping areas that defined social, economic and communal engagement in peripheral areas. The public was invited to visit the archive in the framework of an exhibition shown in Stastion923 Gallery (Ithaca, NY). 

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Three Cities Against the Wall: New York, Ramallah and Tel Aviv
Nov
10
to Nov 30

Three Cities Against the Wall: New York, Ramallah and Tel Aviv

An historic collaboration among 40 artists of Palestine, America and Israel who all call attention to the human rights implications of Israel's Separation Barrier in the Gaza Strip. The artists make a powerful statement that this barrier is a barrier to peace and separates us all from justice and equality. Artists include Art Spiegelman, Tayseer Barakat, Leon Golub, Nancy Spero, Joe Sacco, Sulaiman Mansour, Seth Tobocman, Eric Drooker, Terry Berkowitz and many others.

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